How to Practice Modes on the Guitar

By Riffhard Staff

Modes can be the secret sauce to making your guitar solos and compositions really pop. From the dark and mysterious sounds of the Phrygian to the bright and uplifting feel of Lydian, modes give you a palette of colors to paint with. We'll break down how to practice these modes on the guitar, making them a natural part of your playing. Whether you're into metal, jazz, or anything in between, understanding modes will open up new musical horizons.

The Basics of Modes

First, let's get a grip on what modes actually are. A mode is essentially a scale, but it's a scale that starts on a different note than the root of the key. For instance, the C major scale is C-D-E-F-G-A-B, but if you start on D, you get D-E-F-G-A-B-C, which is the Dorian mode.

Here's a quick rundown of the seven modes in the key of C major:

  • Ionian: C-D-E-F-G-A-B (same as the major scale)
  • Dorian: D-E-F-G-A-B-C
  • Phrygian: E-F-G-A-B-C-D
  • Lydian: F-G-A-B-C-D-E
  • Mixolydian: G-A-B-C-D-E-F
  • Aeolian: A-B-C-D-E-F-G (same as the natural minor scale)
  • Locrian: B-C-D-E-F-G-A

Each mode has its own unique flavor and emotional character. For example, Dorian has a jazzy feel, while Phrygian is often used in metal for its exotic sound.

Why Practice Modes?

So, why should you bother with modes? Well, they can make your solos more interesting by providing different tonal colors. They are also invaluable for writing music, as they offer new ways to look at scales and chords. Plus, understanding modes can help you figure out what other musicians are doing when they play something that sounds cool but isn't obviously major or minor.

Modes can feel like a mystery at first, but they don't have to be. Once you get them under your fingers, you'll find they add a lot of depth to your playing. And if you're learning from the world's best metal guitarists, like those at Riffhard, you'll see how they use modes in real-world contexts.

Getting Started with Ionian and Aeolian

Let's start with the modes that you're probably already familiar with: Ionian and Aeolian. Ionian is just a fancy word for the major scale, and Aeolian is the natural minor scale. These are the bread and butter of Western music, and they're the easiest modes to get into.

To practice these modes, pick a key—let's say G major for Ionian and E minor for Aeolian. Use a metronome and start playing the scale up and down the neck. Focus on clean, even notes. Remember, speed will come with time, so prioritize accuracy.

Here's a simple exercise:

  • Play the G Ionian mode starting from the 3rd fret of the 6th string.
  • As you ascend, say the notes out loud: G-A-B-C-D-E-F#-G.
  • When you descend, do the same but in reverse.
  • Now switch to E Aeolian starting from the 7th fret of the 5th string.

The goal is to get comfortable with the patterns and sounds. Once you have these down, you'll be ready to move onto the more exotic modes.

The Mellow Charm of Dorian

Dorian is like a minor scale with a twist. It's got a brighter, more optimistic feel because of the raised sixth degree. This makes it popular in jazz, blues, and some pop music. To get a feel for Dorian, try playing in D Dorian, which is the same as the C major scale but starting on D.

Here's a quick exercise to help you internalize the Dorian mode:

  • Start on the 5th fret of the 5th string, which is a D note.
  • Play the notes D-E-F-G-A-B-C-D.
  • Focus on the 6th note, B, which distinguishes it from the natural minor scale.

Experiment with simple licks or phrases and pay attention to how the raised sixth note changes the mood. You might find that it adds a jazzy or bluesy touch to your playing.

Phrygian: The Exotic Mode

Phrygian is the go-to mode for an exotic, Spanish flavor. It's minor in nature but with a flat second, giving it that mysterious vibe. If you're into metal, you'll love how Phrygian can add a dark and dramatic tone to your solos.

To practice Phrygian, try E Phrygian, which uses the notes of the C major scale starting on E.

Here's how you can get started:

  • Begin on the 7th fret of the 5th string, which is an E note.
  • Play the notes E-F-G-A-B-C-D-E.
  • Focus on the flat second, F, which is the note that gives Phrygian its unique sound.

Try playing some metal riffs using the Phrygian mode. You'll notice that it adds a certain edge to your sound. This is a mode where technique really matters, so practicing with a resource like Riffhard can help you refine your skills.

Lydian: Bright and Dreamy

Lydian is the dreamy, otherworldly sibling of the major scale. It's characterized by a raised fourth, which gives it a bright and slightly quirky feel. Lydian is often used in film scores and progressive rock for its uplifting and ethereal quality.

To explore Lydian, try playing in F Lydian, which is the C major scale starting on F.

Here's a simple way to practice:

  • Start on the 8th fret of the 5th string, which is an F note.
  • Play the notes F-G-A-B-C-D-E-F.
  • Pay special attention to the raised fourth, B, which is the note that gives Lydian its characteristic sound.

Once you're comfortable with the scale, try incorporating it into solos or chord progressions. The raised fourth can create a sense of tension and resolution, which is great for adding depth to your music.

Mixolydian: Bluesy and Rockin'

Mixolydian is a major scale with a twist. It has a flat seventh, which gives it a bluesy, rock 'n' roll vibe. This mode is widely used in rock, blues, and country music. If you've ever heard a classic rock solo that felt like it was teetering between major and minor, it was probably using Mixolydian.

To dive into Mixolydian, try G Mixolydian, which uses the notes of the C major scale starting on G.

Practice this way:

  • Begin on the 3rd fret of the 6th string, which is a G note.
  • Play the notes G-A-B-C-D-E-F-G.
  • Emphasize the flat seventh, F, to capture the bluesy essence of the mode.

Mixolydian is a great mode to jam with other musicians. Its bluesy feel makes it versatile for various styles, and it's a blast to experiment with during improvisation sessions.

Locrian: The Oddball

Locrian is the least common and most peculiar mode. It's like a minor scale with a flat second and flat fifth, giving it a diminished quality. This mode is often seen as unstable and dissonant, making it less common in popular music but useful for creating tension.

To try Locrian, play B Locrian, which uses the notes of the C major scale starting on B.

Here's a basic exercise:

  • Start on the 7th fret of the 6th string, which is a B note.
  • Play the notes B-C-D-E-F-G-A-B.
  • Focus on the flat fifth, F, which is the note that gives Locrian its diminished sound.

While Locrian might not be the mode you use every day, it's a great tool for adding tension before resolving to a more stable chord or scale. It's especially effective in progressive metal and jazz fusion.

Integrating Modes into Your Playing

Now that you've got a grasp on the modes, how do you actually use them? The key is to understand the context in which each mode shines. For instance, if you're playing over a minor chord progression, Dorian or Phrygian might be your go-to modes. For major chords, Lydian or Mixolydian could add some spice.

Try this exercise:

  • Pick a backing track in a specific key and mode, like C Dorian.
  • Improvise over the track using the C Dorian mode.
  • Experiment with different starting and ending notes to create phrases.

Pay attention to how the modes interact with the chords. Some notes will sound more consonant, while others will create tension. Use this to your advantage to craft more dynamic solos.

And if you're looking for inspiration, check out the lessons at Riffhard. Our instructors incorporate modes into their playing and can show you how to do the same.

Common Mistakes and How to Avoid Them

As you practice modes, it's easy to fall into a few common traps. Here are some pitfalls to watch out for and tips on how to sidestep them:

  • Playing Too Fast: It's tempting to rush through scales, but speed without control is a recipe for sloppiness. Focus on clean, accurate notes first.
  • Ignoring Phrasing: Modes are more than just scales; they're tools for expression. Don't just play notes up and down—think about how to use them to tell a story.
  • Not Listening: Pay attention to how modes sound over different chords. Some notes will fit better than others, so use your ear to guide your choices.

Practice slowly, use a metronome, and stay mindful of your timing and articulation. This will help you build a solid foundation and make your playing more expressive.

If you're struggling, consider checking out lessons from our expert guitarists at Riffhard. We cover these topics in-depth and offer tips that can save you a lot of time and frustration.

Creating Your Own Modal Compositions

Once you're comfortable with modes, why not use them to write your own music? Composing with modes can lead to fresh, innovative sounds that stand out from the crowd. Start by picking a mode and experimenting with chord progressions that highlight its unique characteristics.

Here's a step-by-step process to get you started:

  • Pick a mode, like F Lydian, and establish a tonal center—say, F.
  • Create a chord progression that emphasizes the raised fourth, B, such as Fmaj7, G, and Cmaj7.
  • Write a melody or riff using the F Lydian scale.
  • Experiment with different rhythms and phrasing to bring your composition to life.

Don't be afraid to take risks and try unusual combinations. Modes are all about pushing the boundaries of traditional scales, so let your creativity run wild.

Final Thoughts

Practicing modes on the guitar can be a game-changer for your musical journey. These scales open up a world of possibilities for composition and improvisation, offering fresh ways to express yourself. And if you're looking for guidance, our lessons at Riffhard provide insights from some of the best metal guitarists around, helping you incorporate modes into your playing with ease. Happy playing!

Other posts you might like

Guitar

How to Play Lo-fi on the Guitar

By Riffhard Staff
Guitar

How to Skip Strings on the Guitar

By Riffhard Staff
Guitar

How to Play Cmaj9 on the Guitar

By Riffhard Staff
Guitar

How to Learn the Keys on the Guitar

By Riffhard Staff